Too Many Names
by Pablo Neruda
[Listen to Audio!]
Monday is tangled up with Tuesday
and the week with the year:
time can’t be cut with your tired scissors,
and all the names of the day
are rubbed out by the waters of the night.
No one can be named Pedro
no one is Rosa or Maria,
all of us are dust or sand,
all of us are rain in the rain.
They have talked to me of Venezuelas,
of Paraguays and Chiles,
I don’t know what they’re talking about:
I’m aware of the earth’s skin
and I know it doesn’t have a name.
When I lived with the roots
I liked them more than the flowers,
and when I talked with a stone
it rang like a bell.
The spring is so long
that it lasts all winter:
time lost its shoes:
a year contains four centuries.
When I sleep all these nights,
what am I named or not named?
And when I wake up who am I
If I wasn’t I when I slept?
This means that we have barely
disembarked into life,
that we’ve only now just been born,
let’s not fill our mouths
with so many uncertain names,
with so many sad labels,
with so many pompous letters,
with so much yours and mine,
with so much signing of papers.
I intend to confuse things,
to unite them, make them new-born,
intermingle them, undress them,
until the light of the world
has the unity of the ocean,
a generous wholeness,
a fragrance alive and crackling.
About the Author: Pablo Neruda is a Chilean poet, who started writings poems at the age of 13. He won the Nobel Prize in Literature in 1971
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|Too Many Names|
How do you relate to the notion of letting go of the name? Can you share a personal story of a time you felt a generous wholeness by letting go of distinctions? What helps you stay rooted in a generous wholeness without losing touch with the world and its distinctions?
David Doane wrote: I actively support the notion of letting go of the name. When I lead a group therapy, I direct people to leave their last names, titles, roles, and social histories (like where you went to high school...
Jagdish P Dave wrote: We live in the world of forms, the outward forms with names and titles, yours and mine, the above and the below. We relate to the world with distinctions. Underneaththe forms and distinctions there is...
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